When considering value and collectibility, much depends on design, workmanship, condition, maker, and rarity. Few antique weights contain signature and date canes to aid in identification and evaluation; yet, some paperweights contain date or signature canes with false information. In addition, there are many cheaply made paperweights of poor quality that are passed off as collectible antiques. This chapter presents a basic introduction to the main characteristics used in identify ing glass paperweights made before The look and feel of the glass used in paperweights varies from maker to maker depending upon the formulas and raw materials used. The heaviness of.
Closepack Millefiori Paperweight with Commemorative Date Cane
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YEAR Two digit year, after x00 is used ti give correct sequence. By Caithness had switched to an all numeric code and in editions that continued both numberings are given. This numbering ensure that all of the Limited and Unlimited editions appear in the sequence they were numbered by Caithness Glass. U – was introduced in and was coded U, after the numbering change the 7 digit number replaced the original code in Caithness catalogues. At some point Caithness put the sequence number before the year code, it has been reversed here to maintain the correct chronological sequence.
Whitefriars weights had a suffix of W but are easily separated here by the different categories. May switch to W prefix. Remember Me.
Antique Glass Paperweights
During the s, Venetian glass workers made many custom items for American wholesalers of antique reproductions. Many pieces of 19th century glassware were copied including paperweights. A number of new paperweight styles were made with encased “dates” in imitation of famous antique paperweight makers like St. Louis and Baccarat. While not a problem for paperweight specialists, the new dated weights are frequently sold for old by general line dealers and auction houses through lack of knowledge.
Telling the older dated weights from the new copies is relatively easy if you know what to look for.
In a modern piece, an identifying mark and date are imperative. Paperweights are made by individual artisans or in factories where many artists and technicians.
By Evangeline H. Bergstrom — April 2nd, This article discusses the difference between rare and common paperweights, noting ways that one can tell if a paperweight is a genuine antique or an imitation. It originally appeared in the July issue of American Collector magazine, a publication which ran from and served antique collectors and dealers. They are very old, and I am quite sure they are valuable. Will you be so kind as to arrange with your friend, the rare book dealer; to look them over and let me know their value?
The books arrive. They are indeed old. The type is of an antique cut, the paper is brittle and streaked with brown. When I take them to my friend, the expert in old books, he examines them and shakes his head. The second-hand bookstores are full of this kind of antiques. A friend told me of an experience he had in France in the last war. While directing the work of a group of German prisoners who were doing some excavation work, they came upon a wall several feet beneath the surface of the ground.
Suddenly, while the wall was being pried apart, one of the prisoners found an ancient Roman coin.
A paperweight is a small solid object heavy enough, when placed on top of papers, to keep them from blowing away in a breeze or from moving under the strokes of a painting brush as with Japanese calligraphy. While any object like a stone can serve as a paperweight, decorative paperweights of glass are produced, either by individual artisans or factories, usually in limited editions, and are collected as works of fine glass art , some of which are exhibited in museums.
Decorative glass paperweights have a flat or slightly concave base, usually polished but sometimes frosted, cut in one of several variations e. The ground on which the inner parts rest may be clear or colored, made of unfused sand, or resemble lace latticinio.
A paperweight from Saint Louis dated is known, as well as one from Murano, Italy. A second major French glasshouse, the Clichy factory, is also thought to.
There seems to be a problem serving the request at this time. Prepare to be mesmerised by miniature worlds encased in perfectly smooth glass spheres with glass paperweights. Similarly, imaginative hand blown paperweight shapes such as coloured red apples, cobalt blue dolphins, or pieces of faceted cut crystal shaped like a giant diamond will have you entranced.
With the vast selection of glass available here on eBay, theres bound to be a glass paperweight for everyone. The French paperweight heyday ran between and and remained the highest watermark for the industry for nearly a century. During this time, glasshouses such as Baccarat, Saint-Louis, Clichy, and Pantin revived and reworked ancient techniques such as flameworking, filigree, and millefiori, a process that produces distinctive multicolour patterns.
Contemporary styles include a handcrafted paperweight featuring a purple jellyfish-style design on the inside. Not only does this design add some style to your home with the intricate design, but it glows in the dark too. Discover a vintage clear paperweight with a multicoloured swirl, creating a truly striking design. If youre looking for something to spice up your desk or collectors cabinet, go for a glass paperweight encasing an orange clivia plant with green leaves.
The quality glass design magnifies the immortalised flower, letting you see every single detail of this piece of art.
Bespoke Date Paperweight Course 2020
Melissa Ayotte: Jonquil and blueberries bouquet paperweight. A yellow and white jonquil is surrounded by light pink flowers, blueberries, and green leaves, on a clear ground. Has signature cane and is signed and dated. Limited edition of 25, made exclusively for L. Selman Ltd. Rick Ayotte Red poppy bouquet paperweight.
There seems to be a problem serving the request at this time. Skip to main content. Filter 2. All Auction Buy it now. Sort: Best Match. Best Match. View: Gallery view. List view. Results pagination – page 1 1 2.
These items are not for sale and the descriptions, images and prices are for reference purposes only. Clichy close millefiori weight. Diameter 5 cm.
Shop Memorial Glass Paperweight Scripture Name & Date created by MyDesignStudio. Personalize it with photos & text or purchase as is!
Back to Glass Encyclopedia Home. This section of the encyclopaedia is for “other” glass paperweights. Some we may be able to identify, but don’t yet have their own section in our encyclopaedia. If anyone out there can confirm the manufacturer of any of the unidentified paperweights, please let us know, then we can move them to the relevant section of the encyclopaedia.
A black, amber and clear Murano glass cubed paperweight. Made by Venini, signed to base. A British yellow, brown and pink glass paperweight. A British sandy, pink and green egg shaped glass paperweight. Made by Isle of Wight Studio. A British ruby red glass paperweight with controlled bubble pattern.
Antique glass paperweights are a beautiful example of glass art from a bygone era. Believe it or not some of these paperweights can command hundreds and even thousands of dollars at auction. As the industrial revolution moved into full swing there was a need for a way to hold down all of the bills, letters, and other papers that littered the desks of the executives of the time. With no air conditioning windows were opened to allow the breeze to cool the offices in the summertime.
However welcome the air flow was to the person working it was not good for a tidy office.
sulphide paperweights and a corresponding source medal for the second paperweight. Each of these items is dated Other examples are illustrated in.
In the Internet paperweight discussion group hosted by L. Selman Ltd. This simple question prompted a very honest and accurate response by Jerry Gard, who has allowed us to reprint it and to archive it here for the benefit of our website visitors. Once I brought through customs in Boston a St. Louis pansy I had bought at the Paris flea market, and the inspector asked me how he could learn how to tell an antique from modern reproductions and this is what I told him, and it still holds true today for you and other beginners.
Get three or four good books that stress identification and read them slowly and thoroughly until you really understand them. This means reading them once and skimming them two or three times, studying the pictures. Then, whenever you get to hold and study a weight, reread the sections that deal with that weight while studying it with a magnifying glass. I did not give him a list of the books, but I will for you. They are, in somewhat an order of preference:.